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Album Review: oMUNGiattibwa – Mun*G

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In 2009 back in high school, we had a hip-hop show headlined by GNL the hottest artist/rapper at that time. He came through with a rapper who opened for him by the name of Mun*G. Later we would get to see the rapper make cameos in videos like GNL’s Koi Koi but still we would pay little attention to him till he dropped the “Ebintu”single that made him a household name in the Ugandan industry. Fast forward to 2018, Mun*G has done it all from concerts, scooping awards, owning/running a label to major endorsements and at the center of it all is the hip-hop music.

As we usher in the second half of 2018, the Kunta Kinte CEO has given us a 14 track album titled oMUNGiattibwa. Going by the cover art of the album, which is Mun*G’s son it kinda gives one the sense of direction that Mun*G took with the album which is a “personal”direction and as one listens to the album you get to hear him touch on various topics in his life journey and society in general. The album is far from what we would expect from Mun*G. He flips the script and gives us more raps, stories and inspirational tracks on the album. So we decided to dive into the album and review some of our top tracks off the album. Before we go any further, we need to acknowledge the production of the album which was top notch. The sound on the album is current and on songs like “Beautiful People” it switches up to incorporate local instruments such as drums.  Mun*G murdered each and every beat effortlessly. As we jump into it remember you can purchase the album here or stream it here

Attibwa

This is the intro track to the album which kicks off with a prayer as Mun*G and the team get on the road. The track has no hook/chorus it’s just Mun*G kicking bar after bar. As Mun*G kicks off the first verse, you can hear that he still has that hunger to take over as he puts the “new niggas in their position. He further takes us down memory lane when he kicked down the door in 2010 with his own style that some rappers have managed to bite. One of the significant things on the track are the simple punchlines that Mun*G easily gets out of his bag.

Kiri Kampala

Mun*G slows it down for a moment to talk about various issues that are happening in the country, Kampala to be specific. In the hook he talks about the nudity, the togigwatako episode and how we are comfortable ranting on social media without taking action offline. He further talks about the need for attention/fame in society and the drug dealing in Kampala truth. These are things that we are familiar with that Mun*G has (w)rapped up and delivered on a beat. What’s a discussion about Uganda’s issues without talking about the pastors who con their flock of sheep. With clever wordplay Mun*G paints a perfect picture of what’s happening on the ugly side Kampala that we as society have to face and address head on.

Omutanda

When I saw this track on the tracklist of the album I thought Mun*G had done one tribute track for the Kabaka of Buganda but no the track is far from that, its just Mun*G  assuring you why he is KING in this rap thing. Every rapper has one those tracks where he just talks his shit and for Mun*G this it. He takes it back to the top, no hook, no chorus just BARs, puchlines and wordplay. If you ever doubted whether Mun*G raps this track is for you. As the Kunta Kinte head honcho commands respect on the beat, he closes the track he acknowledges the OGs who paved the way for Ugandan Hip-Hop and he adds that he’s not reached the OG status but he is on his way.

Akatuli

Mun*G knows what has worked for him and gave him an appeal beyond a hip-hop head. That’s his style of rap which is comical rap that the downtown Uganda connects with and appreciates. He brings back those comical bars on this track. He even takes it further and delivers the fun in the visuals of the track.

Beautiful People

As we listen to the album, we get to this  song on which we see the first guest appearances that Mun*G had on the album. The song is a tell of Mun*G’s journey from being a kid to fatherhood as he appreciates the people who have played an incredible role in his life such as his mother and the lady who gave birth to his son which in a way takes us back to the cover art of the album thus making it a personal album for Mun*G. The beat switches up on the hook which makes the song one of the easily top songs off the album.

Rolex Gang (Nyaanya Mbisi)

As you are walking to the nearest rolex stand this is the theme song you should play till your rolex guy packs it and hands it to you. This is a celebratory track that you play as you blast the night away with your crew. The concept of the track (Rolex Gang) is genius because most of us can relate to the rolex. On top of that the beat bangs and Mun*G delivers. This is a typical song on which to floss in the most Ugandan way possible which is a “Rolex with two chapattis, nyanya mbisi majji abili”.

Dear Pops

From the get go we knew on some tracks the album would get personal for Mun*G and this track embodies that with more emotions. As you listen, you realize Mun*G’s voice is at that point where he is about to cry as he tells his dad the story. He gives us an insight in his family’s struggles and joy which we can relate to. He takes us from the point where they lay his father to rest (Rest in peace) to where he (Mun*G)  is in life right now which is the billboard lifestyle despite him not being a lawyer or doctor which the father expected him to be. The song reminds one of Tupac’s “Dear Mama”and it will have you hitting repeat as you get to know Mun*G’s family story.

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Kohen Jaycee’s ‘Gundeze’: A Soulful Anthem of Love.

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Photo Credit: Next Media/NXT Radio

Am I the only one imagining how a mix of Kohen’s “Gundeze” and King Saha’s “Gundeze” would sound in a DJ set? And I’m not saying that just because King Saha’s concert is kicking off as I type this. Maybe it’s just me.

From his critically acclaimed album, RWEBEMBERA: The Raising Echoes, Kohen Jaycee’s “Gundeze” is a vibrant celebration of love wrapped in his signature RnB and Afro-fusion style with a sprinkle of Amapiano’s log drum. The track’s heartfelt lyrics and infectious rhythm make it a soulful anthem for anyone who cherishes the beauty of love. The lyrics are simple yet profound, with Kohen professing unwavering devotion to his partner:“I love you, Gundeze / I feel you, Gundeze / I want you, Gundeze / I need you, Gundeze.”

The music video for Kohen Jaycee’s Gundeze perfectly complements the song’s soulful and romantic essence. Staying true to Kohen’s signature style, the visuals are minimalistic yet captivating, set against the serene backdrop of a lush forest. The video follows Kohen as he alternates between intimate moments with his significant other and heartfelt solo performances amidst nature. This simplicity allows the focus to remain on the song’s message of love and connection, making the video a beautiful extension of the track’s uplifting and heartfelt vibe.

The chorus, repeated like a mantra, draws listeners into a melodic trance, while the verses paint a picture of intimacy, trust, and connection. Kohen’s soothing voice and heartfelt delivery elevate the song into a timeless ode to love. Whether it’s the wish for stars to align or the plea for mutual vulnerability, Kohen’s “Gundeze” resonates with anyone who has experienced the magic of love. The simplicity of the video enhances the song’s essence, focusing entirely on the connection between two souls.

“Gundeze” is more than just a track; it’s a reminder to cherish the ones we hold dear, dance to the rhythm of love, and embrace the beauty of the present moment. Kohen Jaycee has once again proven why he’s a standout artist in Uganda’s music scene, leaving us eagerly anticipating his next move.

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On the Move by Denesi: A Powerful Anthem of Hustle and Ambition

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Denesi’s “On the Move,” the opening track on his debut album Everything Is Real, is an anthem of ambition, resilience, and community, underscored by a gritty hip-hop aesthetic. Produced by Northbound Beats, the track captures the pulse of Kampala’s streets, blending hard-hitting lyrics with a hypnotic beat that mirrors the hustle it portrays.

The accompanying video brings the song’s narrative to life, embracing the classic hip-hop imagery of camaraderie and grind. From the corner store to the stage and finally to the laid-back moments of planning the next move, the visuals reflect Denesi’s journey and the community he’s built. Cameos from collaborators like Lagumtherapper, Akeine, Lucass Blacc, and Manly add depth, showcasing the collective spirit that defines his artistry.

Lyrically, “On the Move” is both a reflection and a manifesto. Denesi paints vivid pictures of Kampala’s dualities: the sunlit streets masking a tougher reality, where survival demands creativity and grit. Lines like “Welcome to the city of the dogs and the criminals / You ain’t making money, you ain’t working, you ain’t real enough” set the tone, balancing raw honesty with undeniable swagger.

The hook, with its repeated refrain of Who dat on the move, me I’m on the move”, is a declaration of aspiration. It positions Denesi as a trailblazer, reaching for heights beyond the ordinary while staying grounded in his roots. The mention of his collaborators in the hook reinforces the communal ethos of his work, a nod to the people who’ve shaped his journey.

Denesi’s storytelling is sharp and layered. He captures the struggles of navigating Kampala’s streets (“You know Kampala streets, man, the trouble’s never over”) and dreams of transcending them (“When I make a billy, prolly settle down / Maybe buy a villa, buy the whole town”). His versatility shines as he shifts from local struggles to global ambitions, even hinting at cross-border hustles with lines like “I trap on some Lingala shit, they pay me plus the benefits”.

The production complements the lyrical intensity, with Northbound Beats crafting a soundscape that feels both contemporary and rooted. The beat’s steady rhythm mirrors the relentless drive described in the lyrics, while the layered instrumentation adds depth and texture.

Overall, “On the Move” is a powerful introduction to Denesi’s world. It’s a song that celebrates ambition, acknowledges struggle, and underscores the importance of community. With its infectious hook, sharp lyricism, and dynamic visuals, the track sets the stage for what promises to be an impactful debut album. Denesi isn’t just on the move—he’s carving a path to the moon, and he’s taking his people with him.

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Reviving Nostalgia: Akeine and Henry Tigan’s “Out of Control” Remix.

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In this exciting edition of The Tribe UG Press Play, we’re thrilled to present a vibrant collaboration that bridges the gap between nostalgia and innovation. Fast-rising artist Akeine teams up with legendary dancehall star Henry Tigan to breathe new life into Tigan’s 2013 hit song, “Out of Control,” delivering a captivating remix that’s sure to win over fans old and new.

Akeine brings a modern twist to this beloved classic, collaborating with talented producer Andy Muzic to craft a fresh sound that retains the essence of the original. The remix seamlessly blends nostalgia with contemporary vibes, creating a track that resonates with today’s audience while honoring its roots. Henry Tigan’s stellar performance adds depth and familiarity, as he revisits the fan-favorite verse that made the original a standout hit.

This remix isn’t just a song—it’s a celebration of timeless music reimagined for a new generation. The official music video takes the energy to another level, showcasing both artists in their element and bringing the remix to life with vibrant visuals and electrifying performances. Don’t miss this unforgettable collaboration that proves great music transcends time.

The Tribe UG Press Play is more than just a platform; it’s a solution to a long-standing challenge in Uganda’s urban music industry. Despite the abundance of incredible songs, the rap industry has often struggled to release music videos due to logistical and financial constraints. Recognizing this gap, our parent company, Skyline Media & Management Limited, launched The Tribe UG Press Play to empower artists and showcase their work visually.

Through this initiative, we produce high-quality visuals for some of our favorite Ugandan urban songs, helping artists connect with their audiences in new and exciting ways. By supporting the creation of music videos, The Tribe UG Press Play is not only amplifying the voices of talented artists but also enriching the local music scene.

Stay tuned for more groundbreaking collaborations and visual masterpieces as we continue to celebrate the best of Ugandan urban music. Follow The Tribe UG and Skyline Media for updates, and don’t forget to check out the “Out of Control” remix by Akeine and Henry Tigan!

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